queerbychoice (
queerbychoice) wrote2002-01-08 12:45 pm
Pop-Tart Mysteries
"Why do Pop Tarts come in twos, like animals on biblical arks? I swear they're too poisonous for me ever to eat both of 'em, so I sit around lookin' at the second one, feeling bad, like a six-year-old who didn't finish his breakfast.
And don't tell me they're in there mating, like biblical ark animals, because man, if that were the case, there'd be baby Pop Tarts in there, at least occasionally..."from Ill Scientist's journal

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But then I realized that if such people are also commonly prone to playing that godawful "Champagne Supernova" song, I'd better not go anywhere near them.
By the way, did you know Amy Bloom has another collection of short stories called Come to Me? I just bought it and have only read the first three stories so far. They're very typical Amy Bloom, brimming with sexual taboos on every page.
You really should read Howard Buten's When I was Five I Killed Myself. It's not short stories, but it's a very short novel, maybe more of a novella, and it's, like, the ultimate book that everything Amy Bloom has ever written has aspired towards but hasn't quite gotten to yet. It's the most perfectly crafted work of utter genius. Oh, and oddly, he's also a psychologist like Amy Bloom. I think maybe they're cross-dressed personas of the same person, a transcontinental commuter who lives as a man in Europe and a woman in America and maintains dual psychologist/novelist careers under both names.
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hey, do you want to know how cool I am? I hadn't even considered Bloom's work in terms of sexual taboos. I just thought they were interesting, and about really well-rendered people. Now I have to go back and re-read, in that context...
That Buten book's going on the list, even though the title reminds me of the Eminem line about how "all my life I've felt like someone else because when I was twelve I hung my original self from the top bunk with a belt;" hmm, maybe that's a good thing. I'm not sure. But I'ma get it, except not today, because I don't want to drive out for lunch because it's icy.
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But I was listening to Poison yesterday, so I'm in no position to supply it either. A conversation in Frank's journal brought on a fit of nostalgia which somehow led me to find myself listening to Poison. It's scary, I know.
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"hey, do you want to know how cool I am? I hadn't even considered Bloom's work in terms of sexual taboos."
That's sort of scary. So like, to you it's perfectly ordinary that every other character is having sex with their mother or father. Woo hoo!
The Howard Buten book's title is oddly almost entirely irrelevant to the plot. It was published under a different title earlier, but the first title was just the main character's name and conveyed even less than this one does. After I finished the book I sat around thinking a while about why it got the title it did, because nothing the kid did when he was five years old really has anything to do with the story. But the title When I Was Five I Killed Myself sort of conveys the mood. Or at least a mood, something not so terribly far off from the mood. And the book probably wouldn't work with a title much more concrete than that.
It differs from Eminem though, in that you never get to find out what the kid's like as an adult. The story takes place when the kid is eight.
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Well, now I have to go back and re-read ALL the short stories, although I guess, technically, that's not really a bad thing. As for Poison... hmm, maybe we can listen to "Open up and say Ahh" in that broom closet; I loved that album.
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I can't remember any Amy Bloom stories that didn't feature characters breaking exotic sexual taboos. Which maybe tells you something about my own memory's priorities.